House Styles
Over time, certain proportions have settled into our atelier through years of bespoke work. These are what we refer to as our house styles, established ways of cutting, each carrying a consistent stance refined through repeated fittings and wear.
When commissioning, a client may begin with one of four foundations: the Suit, the Bandhgala, the Achkan, or the Sadri. The house style provides the framework. The fit remains specific to the wearer.

Achkan
Our Achkan is informed by a tailoring lineage in Mahmudabad where this silhouette has been made consistently for generations. What drew us to it was the clarity of its proportion, the way it stands upright, the measured length, the uninterrupted front.
We retained that foundation and refined it through our own fittings. The aim was not to alter its character. Only to ensure it sits comfortably through long ceremonial settings.
Structured and dignified. Composed when worn.

Suits
The Mr. Fox suit is built around a house cut that has evolved through years of bespoke work.
The cut draws on the clarity of Italian suiting, a defined waist, a clean silhouette, and the steadiness of British structure, where balance and comfort matter as much as appearance. Over time, that combination became part of our foundation.
It holds its shape. Maintains clean proportion. Sits correctly on the body without feeling constructed.

Bomber Jacket
The Mr. Fox bomber reinterprets a familiar silhouette through the discipline of tailoring.
Cut with a clean shoulder and balanced proportions, drafted to sit close to the body while retaining the ease the style demands. A shirt-style collar replaces the ribbed neckline. The buttoned front gives the jacket a quieter, more considered presence. Hem and cuffs retain the subtle elasticity of the classic profile.
Construction remains light, allowing the cloth to move naturally while holding a defined line through the body and sleeve.

Bandhagala
The Bandhgala developed in the princely courts of North India as a formal coat defined by its closed collar and uninterrupted front. Its restraint was its authority.
Our interpretation begins with that foundation. The collar cut to sit neatly and upright at the neck, the body drafted with care through the chest and waist. Particular attention given to the vertical line that defines the Bandhgala, allowing it to hold its structure.
The aim is not to reinterpret the garment, but to retain the clarity that has defined it for generations.
